Where the hell do you start with a review of ‘Django Unchained’?Do you outright ’fess up that it’s not perfect, that there are some flaws, then shrug your shoulders during a paragraph break and spend the rest of the review blathering on about how much you enjoyed it anyway?Do you start out by enthusing about the many things that Tarantino gets right, then slowly peel back a few critical layers, saving the nit-picking for last?Do you mourn the untimely...
Public service announcement: this piece isn’t a review. It’s an attempt to address the controversies surrounding ‘Django Unchained’ and ‘Zero Dark Thirty’, and I’m writing it for no other reason than to get it out of my system so I can then write reviews of these two movies that assess them as movies rather than going tit-for-tat with some of their harsher critics.In other words, if the next few paragraphs don’t seem like a fun night out at The Agitation...
At the beginning of ‘The Ballad of Cable Hogue’, weary saddle-tramp Hogue (Jason Robards) finds himself betrayed and left to die in the blistering desert. He implores God, “Yesterday I told you I was thirsty and I thought you might turn up some water! Now if I’ve sinned, you just send me a drop or two and I won’t do it no more. Whatever in the hell it was I did. I mean that, Lord.”Towards the end of ‘The Grey’, beleaguered company man Ottway (Liam...
I’d had it on good authority that ‘Haywire’ was one of two things: an attempt (director Steven Soderbergh re-teaming with screenwriter Lem Dobbs) to recapture the reconstructive brilliance of ‘The Limey’ but here drawing on the tropes of the espionage thriller; or Soderbergh basically taking the piss with a decent chunk of studio money. And, on various levels, ‘Haywire’ is both of these things. More besides? Let’s amble through the next few paragraphs,...