
The problem with writing about a film as influential, much-imitated and downright iconic as ‘Halloween’ is trying to find something to say about it that hasn’t already been said. I could probably jot down a quick bullet-point checklist along the lines of:The subjective, prowling POV of the opening sceneDean Cundey’s cinematographyCarpenter’s own score (minimalism at its eeriest)Pre-David Lynch Lynchian small town vibeNow you see Michael, now you...